Wednesday, 4 March 2015
American Sniper
Directed by Clint Eastwood, American Sniper tells the story of Chris Kyle - Americas most infamous sniper, with 160 recorded kills to his name. This true story comes from Chris himself (he wrote the book from which the film is based).
American Sniper begins with a brief look at Chris' formative years, living with his mother and brother and fiercely influential father. Looking out for his younger brother from an early age, Chris is told by his Dad (in no uncertain terms) that he's a sheep-dog, here to protect the sheep from the wolves - the real evil of the world.
A leap forward in time sees Chris as a bronco rodeo rider - living the dream, but somewhat meandering through life. Keen to contribute to the country he holds dear, Chris trains to become a Navy Seal (at only thirty years of age Chris is considered old to be joining the Navy Seals)! Fully committed to the arduous training, Chris achieves his goal. Soon after he meets his wife. Coincidentally the attack on the Twin Towers happen not long after they are wed. Chris sees the 9/11 attacks as an attack on him and his own. Steadfast in his thinking, Chris vows to protect his country and his family from the, "Evil Doers".
Portrayed by a terrific Bradley Cooper, Chris' commitment to country and the cause in the Middle-East is unwavering - even after doubts among his own colleagues arise. Chris it seemed, had no room for doubt. In fact, Chris felt doubt and uncertainty was killing his men - a clear indication of his focused mind. One has to admire this level of commitment. Interestingly, it's harder to admire when one is on the receiving end of a similarly committed threat to the western world!
Chris served an incredible four tours in Iraq - the equivalent of one thousand days. Like many soldiers, Chris suffered PTSD when he returned home. Like everything else in his life, Chris was adept at working through his affliction. He was helped in the most likely of ways - by helping similarly afflicted veterans. A circular therapy if you like, which benefited all involved.
Despite the good he did, there are some questionable acts which Chris has been accused of - omitted from this particular story.
American Sniper sees Clint Eastwood on top form. This is far and away one of the best films about combat and the futility of war since Saving Private Ryan. This is a patriotic tale of one mans tour of duty, regarded by many as a hero.
In telling Chris' story we are consequently thrust into the US campaign in the Middle-East, following the oft-criticized weapons of mass destruction debacle.
The film itself has been criticised for being nothing more than a piece of propaganda - portraying the fundamentalist threat in it's simplest and most terrifying form. No doubt the book shared similar criticisms - how can a story with such huge themes and agendas be distilled by the experiences of one man?
One has to remember that American Sniper is Chris' story. One can't exactly accuse Eastwood and his team of neglecting to tell a broader tale here. Perhaps they should've called their film, "Chris Kyle: American Sniper" so as to avoid being misconstrued? Actions speak louder than defaming words of course and Chris' actions were arguably contradictory - a characteristic which is fundamentally human. In the end Chris Kyle followed orders (and to the letter) and was rightly revered by his colleagues and supporters.
Those who subscribe to a particular ideal, regarding the debacle in question and Chris' part in it (not to mention the ongoing crisis in the Middle-East), worry not. You will not leave American Sniper feeling differently. Those looking more closely however, will discover Eastwood and co have peppered their film with more than just clichéd villainy and a westernised agenda. We get a glimpse of the fundamentalist opposite to Chris, at home with his wife and infant child. Later, a young boy with a bazooka makes an independent decision to put the blasted thing back down in the dirt.
American Sniper is a film worth seeing. An important film which will undoubtedly spark debate amongst it's audience, regarding the connotations of a war fought in vain (more talk is essential people). The unjust criticisms which have befallen this project (not to mention those who have misunderstood this film as an action flick) owe much to the hypocrisy of war itself. For example, one unlikely scene in American Sniper had my heart pumping considerably faster than normal. It was a scene involving a battle-plan, on the ground in Iraq - led by military advisors and superiors and attended by the likes of Kyle and his men.
The finality of going into battle after all that training hit me like a ton of bricks. I don't know as I could do that, I thought to myself - rather them than me.
5/5
Poster image courtesy: www.apollo-aachen.de
Sunday, 15 February 2015
Unbroken
Unbroken is the second feature from director, Angelina Jolie. Not having seen her debut feature (In the Land of Blood and Honey), I can not attest to any sense of transition or appropriation of style between projects. What I can tell you is Unbroken is a triumph! Seemingly at ease with every facet of film-making, Jolie has orchestrated a long gestating project, destined for the big screen.
This true-life tale has been adapted from the book of the same name and recounts the early life of Louis Zamperini. Beginning at home (California), Zamperini is inspired by his brother to make something of himself - putting his misadventures to rest, for fear it will land him in hot water. Following in his brothers footsteps, Louis decides to run long distance, competitively. Becoming the fastest under-graduate in the country, it's not long before the Olympic Games beckon.
Appearing at the Games in Berlin of 1936, Zamperini runs faster than his nations competitors and crosses the line in 8th place - setting a record for the fastest lap in the 5000 meter race!
With this superb achievement in place, Zamperini sets his sights on the Games of 1940, scheduled to be held in Japan. World War 2 engulfs the globe however, dashing many a dream (to say the very least).
Zamperini enlists and finds himself a bombardier on board a B-24 Liberator. Having lived through various combatant missions, Zamperinis luck runs out on a rescue mission. The story of Unbroken kicks into high-gear at this point, as we bare witness to a survival tale like no other.
Like the best story-tellers, Jolie understands the less is more conceit. There's plenty of effects work and awe-inspiring photography in Unbroken, but it all services the story.
The film has been accused of struggling to make the unbelievable, believable. With it's messages of resilience and redemption, Unbroken would indeed make for an awfully convenient fictional story. This story is real however, brought to us as a feature-film rather than a documentary. With this in mind, one has to allow for any and all creative nuances a collaborative team brings to a project like this.
In some instances the truth has been skewed so as to appear more believable. Zamperinis meet with Adolf Hitler at the Olympic Games has been extracted, for example. He also punched a shark that approached him in the ocean. Fearing a cynical audience perhaps, Jolie has her Louis merely kick a shark by accident.
The only real moment of posturing to emerge is that of the very young Zamperini. Liquor swilling and cigarette smoking, the 12 year old Louis is old beyond his years, uttering lines like,"I'm nothing. Just let me be nothin". Hey, perhaps he did utter such a line. Like the shark sequence, it could've gone one of two ways - the film-makers privilege ultimately.
Written by the Coen brothers and executive produced by Mick Garris (Zamperinis son in-law), the team behind Unbroken clearly share a great deal of love and respect for the material and Zamperini himself. It's an inspiring tale of survival. It shows us all what true hardship really is and it propels a deep affection for life to the fore.
Proving that life can be just as easily taken from us as it can be granted, Unbroken emphasizes the fragile nature of this gift, leaving us with a very clear caveat: one must grasp this life and make the very best they can with it.
4/5
Poster image courtesy: www.dailyreview.crikey.com.au
Saturday, 31 January 2015
Dumb and Dumber To
The first Dumb and Dumber is a modern comedy classic, aint no mistake! It represents the Farrelly brothers finest work and famously paired Jim Carrey and Jeff Daniels (who knew) together as a double-act to rival the classics of yesteryear.
A prequel was made (Dumb and Dumberer: When Harry Met Lloyd) with the cast and crew of the original largely absent. In my opinion they missed a golden opportunity to cast Carrey and Daniels as their younger selves - now that could've been fun!
Twenty years later and a belated sequel lands on our shores. As a huge fan of the original, this sequel had been on my radar since it's inception. The Farrelly brothers were directing once more and Carrey and Daniels were back, back, back!
Collectively this spelt success. The announcement of the title itself assured me that the film-makers were in the correct mindset. Surely all they needed to do was to place their idolised pair front and centre and have them drive the story in typically idiotic, yet infantile fashion.
Well, it would appear Harry and Lloyd have grown up! No longer the innocent and naive pair of the first, Harry and Lloyd have hit puberty and become obnoxious teens!
In the original Dumb and Dumber Harry and Lloyd were the put-upon-pair - they were the butt (literally) of 99% of the jokes.This time we're expected to laugh with Harry and Lloyd, almost encouragingly so.
Most of the jokes are at the expense of the co-characters and a good portion of these are in terrible taste; watch as Kathleen Turner is mistaken for a man (for the umpteenth time); discover a second use for a cork, courtesy of a parental dream sequence; laugh with Harry and Lloyd as they purposely disrupt a science conference with an armpit fart or seven - obnoxious teens indeed!
As deflating as this all is to witness, it's still pretty great to see Carrey and Daniels inhabit these roles again. After twenty years, Daniels' second term as Harry Dunne is the more successful of the two, with a performance mirroring that of the original. It would appear Carrey is impersonating Lloyd Christmas however - or else he's taken the evolution of his character more seriously and skewed his performance accordingly. Either way, we all know he's capable of much more.
At the end of the day there are a few genuine laughs to be had and a couple of nice touches which exceed (admittedly lowered) expectation.
If this trajectory of ageing continues, Harry and Lloyd will appear quite decrepit once they mature to adulthood. They could have some fun with that too perhaps (in typical Johnny Knoxville/Bad Grandpa style)?! Until then Dumb and Dumber To is for hardcore fans and obnoxious teens only (it should do pretty well I imagine)!
I for one will be basking in the glory of the original - after twenty years it still has the ability to leave me in stitches!
2/5
Poster image courtesy: www.newfarmcinemas.com.au
Sunday, 25 January 2015
Life Itself
What better way to start a new year of film reviews than with Life Itself - a documentary feature on famed film reviewer, Roger Ebert.
Life Itself is directed by Steve James (Hoop Dreams) who presents his subject towards the end of his life, before returning to his formative years and the beginning of his illustrious career.
The film recounts Eberts life in flashback throughout, regularly returning to the present for comparative insight.
For those not steeped in Eberts career, Life Itself covers a lot of ground - from Eberts passion and talent for writing early on, to a professional love affair with film, lasting over 45 years.
More than just a reviewer, Ebert sought out and encouraged new names and faces in independent cinema.
Unabashed by his work, Ebert became friends with many of his subjects, some of whom would come in for heavy criticism during his career.
He frequently attended the Conference on World Affairs - known for being the "conference on everything conceivable". Ebert moderated Cinema Interruptus for many years - a symposium on film lasting the length of the conference.
As a social commentator Ebert spoke alongside numerous other experts in their field on a multitude of subjects.
Ebert certainly had his principles. Early on he stopped the presses of his own University paper, spotting an inappropriate advert across the page from a lead story, concerning John F. Kennedys assassination. Having gained notoriety for his writing, Ebert remained at the paper which hired him (the Chicago Sun-Times), despite lucrative offers to the contrary.
Based on the book of the same name (with many a quote directly referenced on screen), Life Itself undoubtedly lacks the depth of the best-seller. Numerous detailed accounts of Eberts various experiences have been jettisoned in favour of Eberts ill-health, which covers a good portion of the film.
Living with cancer, Ebert underwent various treatments and several failed surgeries (horrendous). He's an inspiration to all who've suffered a similar fate. Not one to shy away from his debilitating health, Ebert continued to write and appears on camera as communicative and joyous.
Despite Eberts upbeat resolve, the lasting impression of the man is of someone battling to pursue his passion, despite the restrictions of his body. The man achieved a great deal in his life and I believe more time and detail could've been spent expanding upon these achievements.
For example, Ebert won the Pulitzer prize for his work as a movie reviewer (the first ever), but we don't discover which specific piece or pieces won him the prize? Moreover his career as a screenwriter is touched upon, having written the screenplay to Russ Meyers, Beyond the Valley of the Dolls. But Ebert had a long-standing, working relationship with Meyer, contributing screenplays several times thereafter.
Overall Life Itself is a fascinating account of one of the most admired film reviewers in cultural history. One which could've benefited from being a more celebratory account, rather than a slightly dour one.
3/5
Film Poster courtesy: www.kartemquin.com
Followers of this site will notice we're returning to our regularly scheduled programming of film related posts! All art and illustration-related news can now be found here: www.facebook.com/alexsmithartist
Here's a pic of some new art by yours truly to wet your appetite!
Wednesday, 14 January 2015
Mick Garris audio interview!
The opportunity to interview Mick Garris was offered to me not long after I started writing for Monster Pictures. I didn't expect to be interviewing so soon. I was brimming with confidence and eager to take another big step towards my dream. It was short-lived - come the big day, I was racked with nerves! I only knew of Garris by his work on The Stand, so I studied hard and fast in an effort to deliver the goods!
As much as I would've liked to have shared this upon completion (back in 2013), today is just as fitting. It is the eve of the release of Unbroken (here in Melbourne) - Angelina Jolie's new film as director. Those of you with a keen eye may have spotted Garris' name on the poster - taking an executive producer credit. As you'll discover later in this interview, Garris' involvement in the film is of significant interest!
As a first-timer I was extremely lucky to interview Mick Garris. He was incredibly forthcoming with his answers. It was as close to a conversation as I was gonna get first time out - something an interviewer must master I imagine. My introduction was purely speculative at the time but Garris transcended every character trait I had formerly pieced together!
Before we begin, I would like to thank Leslie Morris for organising and producing this little milestone in my life.
Along with Shawn Hunt and Paul McVay, you can find Leslie regularly musing on creature features from yesteryear at: http://creaturefeaturepodcast.com/. Well worth a listen!
Anyway, the link below will transport you to the aforementioned interview - just hit play!
https://archive.org/details/MickGarrisFinal
Friday, 22 November 2013
More art and Monster musings!
Here you go folks - some new art by yours truly! This piece was inspired by the Falmouth-based surfboard manufacturers of the same name.
Copyright Alex Smith 2013
The typography/logo had already been established. I manipulated it slightly in an effort to give the overall piece some perspective. When compared to the original logo, this one should look as if it's sitting on top of the water slightly, moving towards the wave.
Run by young entrepreneur and chief shaper Mark Roberts, Glass Tiger are a small but dedicated company from Cornwall, England. Designed with an eye for both form and functionality, Glass Tiger surfboards look magnificent - almost too nice to put in the ocean! Check out the site here: http://www.glass-tiger.com/index.php
In other news, Monster Fest is kicking into high gear now, after its opening on thursday. Running until the 1st December, Monster Fest will be screening everything and anything genre related. Andrew Trauckis new film, The Jungle premières tonight! I caught up with Andrew to discuss his new film and filmography thus far - check out what he had to say here: http://monsterpictures.com.au/features/monster-pictures-grylls-andrew-traucki/
Until next time!
Saturday, 12 October 2013
Less of that and more of the other!
Apologies for the lack of posts my friends. Lots has happened since I waxed rhapsodic about Before Midnight back in July! Along with Life of Pi, it remains one of my favourite films of 2013. The only other film to bowl me over this year has been The Conjuring - James Wans superior, demonic-possession story. Be sure to check it out!
Speaking of horror, I'm now writing for the good people at Monster Pictures. Monster Pictures is the go-to site for any film fanatic or horror fan. As a chief distributor of horror movies, Monster Pictures offers some of the best contemporary tales currently available. The site has up-to-the-minute news and daily articles on every facet of the genre. My own weekly musings can be found here.
This blog will continue to play host to my illustration work. Again, lots has been happening - predominately comic-book related work. As 2013 comes to a close and the new year begins, more of these projects should be appearing, hot off the presses. Upon completion, I hope to post about each and every one.
Outside of comic-book work, I've been playing with design and colour. Below is one such example.
Copyright Alex Smith 2013
There be two designs here; the original black and white design and one with colour and (secondary) lettering. Originally I wanted the body parts to spell out the words, but the scratchy lettering was a commercial/necessary addition.
This design was inspired by the punk band of the same name. A terrific three-piece who play regularly around Melbourne, these raucous rockers are not to be missed! Check 'em out here!
Keep a look-out for more art-related posts soon. I'll be giving you my full round-up of the films which caught my attention this year also.
Cheers for now!
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