Sunday 30 December 2012

Frankenweenie

 
Minor spoiler!
 
Frankenweenie is Tim Burtons second feature this year, following Dark Shadows.
With Dark Shadows the some of it's parts were greater than the whole. Ironically Frankenweenie is made up of many great (body) parts and set-pieces - yet the whole has not been forgotten (and is evidently more satisfying)!
 
Frankenweenie sees Burton return to a (live-action) short he made at the start of his career.
It tells the story of a young boy named Victor, a resident of New Holland who lives with his parents and dog, Sparky.
After an unfortunate incident, Victor decides to put his interest in science to the best use possible - and bring his dog back to the world of the living!

The New Holland Science Fair is just 'round the corner and the competition is high!
It's not long before Victors secret experiment is running 'round town again. Once news of Sparkys revival hits the school, Victors classmates see the success as a sure-fire winner for the science prize. A handful of the more dastardly kids go about replicating Victors experiment - with breathtaking results!
 
Anyone who has seen The Nightmare Before Christmas or Corpse Bride, will be familiar with Burtons specific style of animation. Burtons characters have a distinct aesthetic which rarely changes from film to film. His characters are weird-looking and somewhat vulgar, yet they retain a certain warmth and are always sympathetic.

The voice cast must be given credit for imbuing such hideous characters with said humanity.
Catherine O'Hara and Martin Short head the voice cast, playing Mrs and Mr Frankenstein respectively. They also lend their talents to a handful of other characters from the cast - a task perfectly suited to these two comedians.
The stand-out for me is Martin Landau as Mr Rzykruski - Victors science teacher. It could be argued that Mr Rzykruski is one of the more scary-looking characters from the film - and as an adult teaching kids, that would stand to reason.
Mr Rzykruski is incredibly passionate about science however and his love for teaching and telling children the truth is infectious. As an older man, Mr Rzykruski has wisdom in abundance and is more than willing to pass on what he's learnt to pupils such as Victor. Many morals are learnt through this character alone and Landaus Vincent Price-like delivery is charming!
 
Frankenweenie is shot in black and white rather than colour (undoubtedly echoing the era of film and television Burton grew up on).
Ed Wood is my favourite Tim Burton movie and I welcome the return to black and white. As with Ed Wood it honours film-making from the 1940's/50's, with particular references to that period of time.
It would be interesting to know whether the black and white element of Frankenweenie affected it's box office in any way. I'm guessing the 3D version (unseen) may have gone some way to compensate for anyone insisting on technicolour?!

My main criticism of Dark Shadows was that it was another adaptation for Burton. Frankenweenie may be an adaptation of his own work, but it's a welcome return to original material for a man with such creative vision.

4/5
 

 
Poster image courtesy: http://www.empireonline.com/

Monday 24 December 2012

Seven Psychopaths


Minor spoiler alert!

Seven Psychopaths is the new film by In Bruge writer/director, Martin McDonagh.
Much has been said of how Psychopaths echoes early Tarantino and the films that followed (Two Days in the Valley and Things to do in Denver When You're Dead, to name a few). These films and more played against audience expectation, mixing thriller with comedy to pitch-black effect.

In Bruge felt different upon release. Ten years had passed since the popularity of these films had peaked. Directors such as Tarantino and Guy Ritchie had moved on from gangsters and overly familiar locales, leaving a new spin on the genre to emerge. The Gothic environment of Bruge and the peculiarity of the city perfectly complimented the off-beat story.
McDonaghs brother John Michael, followed suit with a tale from Ireland entitled, The Guard (arguably better than In Bruge). Key to the success of both films were the locations they were set in. The peculiar customs and inaudible dialects of the inhabitants were essential ingredients for comedy to ensue.

With Seven Psychopaths McDonagh has chosen to set his story in Los Angeles - which feels comparatively over-familiar. Despite some snappy dialogue and memorable performances by the eclectic cast, Psychopaths feels dated - as if a relic from the early nineties. To compound this, many of the stronger moments appeared in the trailer (a frustrating trend that doesn't appear to be disappearing any time soon - quick answer of course is to avoid trailers at all costs)!

Seven Psychopaths is a movie about movies. The film follows screenwriter Marty (Colin Farrell) on his quest to finally complete a long gestating screenplay. The larger than life characters he meets along the way inform his new opus. Before long art is imitating life and life is imitating art.

At one point in the film Marty hits upon an idea for his characters to discuss and reflect upon proceedings in the desert. This is met with boredom and disdain by his companions.
The film follows suit - and we get a good long moment of reflection by the principle characters (in the desert). Unlike the similarly playful Adaptation (Spike Jonze), Psychopaths feels laboured as it switches tone. The afore-mentioned segment does indeed feel boring, but perhaps not as is it should?

The performances certainly save what's lacking in the execution of this tale. Each actor is given their moment to shine - with Christopher Walken and Sam Rockwell the stand-outs!

As entertaining as Psychopaths is, it doesn't quite deliver on the tease of the first act.
The brothers McDonagh represent a relatively new voice in cinema and Seven Psychopaths has certainly not gone unheard. Here's hoping the conversation's more stimulating next time!

3/5


Poster image courtesy: http://www.imdb.com

Tuesday 18 December 2012

Sebastian Hawks: Creature Hunter!

Sebastian Hawks is a new comic-book project from writer, Tristan Jones and artist, Christian DeBari. Together with partners Greg Mclean (Diezel Punk) and Wolfgang Bylsma (Gestalt), the hope is to deliver this opus to the reader directly, via the crowd-funding platform of Pozible.


The afore-mentioned team have some spectacular incentives for anyone willing to support their project - not least is the finished book delivered straight to your door! 
This is an international campaign, so comic-fans from across the globe are encouraged to get involved (with guaranteed free shipping worldwide)! 
As with other crowd-funding sites, ones card/account will not be charged, unless the target is met and the book gets the go-ahead. 

The deadline for pledges is looming (11th January 2013), so head on over to Pozible and check out the pitch: http://www.pozible.com/index.php/archive/index/11289/description/0/0

The creative team alone should convince anyone to get involved. If you're not immediately sold by the few images on this page, then prepare to be swayed!


The above preview page comes courtesy of Tristan Jones' Deviant Art page. Undoubtedly there'll be more previews from this talented team, so keep a look out at:
http://tristjones.deviantart.com/art/Sebastian-Hawks-prologue-page-1-340478893