Monday, 24 September 2012

FEC Extravaganza!

I was proud to be a part of the FEC Extravaganza on saturday, as three new books were launched under the FEC umbrella.
Kranburn #4, Seven and Fireside Tales were collectively released, as All Star Comics once again played host to Melbourne's prolific comic scene.
The evening was a huge success, with all involved going above and beyond to create an entertaining and memorable night.


Fireside Tales is the title to feature my own short strip, Speedtrap (written by Rik Hoskin). Other tales in the anthology include, A Second Chance by Billy Tournas and Michael Wszelaki and The Ballad of Danny Flash by Andrew Shaw and Will Pleydon. This is all wrapped in stunning cover by Sacha Bryning (see below).


For those of you who couldn't make the launch, particularly my over-seas constituents, the Q AND A section of the evening was recorded by the good people over at Dark Matter. Check out the video here: http://www.darkmatterfanzine.com/dmf/fec-horror-graphic-novels-launched/

The fine folk at All Star did a great job of photographing the event as well - here be some very cool pics: http://www.facebook.com/media/set/?set=a.493968223946931.119584.195249770485446&type=1

All three titles are now available for purchase at the FEC Facebook store: http://www.facebook.com/forevilchildren/app_112817928751673
There's a host of other great titles to choose from, including the first three issues of Kranburn (highly recommended)!

Cheers for now!


Wednesday, 19 September 2012

Blue Spear and Com.x

Blue Spear was published by Com.x in December of 2011. Unfortunately it wasn't until recently that I was able to get my hands on a copy - via the good people at Amazon (not forgetting a little help from my constituents in the UK)!
I had been looking forward to it for two reasons. Firstly, it was published by Com.x and secondly, it was illustrated by Cosmo White.



Com.x have been publishing comics and graphic novels for twelve years now. The UK company was founded in 2000 by Eddie Deighton, Russell Uttley and Neil Googe. They soon established themselves as publishers of note, releasing such comics as; Bazooka Jules, Puncture and Razorjack.
The quality of each book was considerably high - both in content and design. One can always tell a Com.x book from the print quality alone!

Each book was printed in the American format, resulting in the Com.x name being revered over-seas. The talent in particular made US publishers sit up and take notice - so much so that Googe and Puncture artist, Ben Oliver soon went to work for DC on such titles as Majestic and The Losers, respectively.
Next for Com.x was Cla$$war. A hugely popular title in the vein of The Authority. This time, Trevor Hairsine (artist on Ultimate Six and Ultimate Galactus) was the one to make the move over-seas - Cla$$war was consequently delayed, then completed by up and comer, Travel Foreman (you can see where this is going)!
Ongoing series' were being delayed and cut short and creators were being replaced left and right - Com.x had to rethink their strategy.

They did just that and relaunched with the objective to publish completed story-arcs, in the graphic novel format. Recent titles of note include; Path by Gregory Baldwin, Seeds by Ross Mackintosh and Forty-Five by Andi Ewington.


Forty-Five was an interesting title - and a milestone for the company. 
This is a story taken from the perspective of a journalist (and expectant father, James Stanley), as he interviews forty-five people about their existence with the Super-S gene. 
Stanley discusses everything - from the development of their powers to their place in society and beyond - in an effort to better prepare the journalist, should his own offspring carry the gene. 
It approached the subject of super-powered beings as if they were real and set about introducing a host of colourful new characters to the world of comics - and effectively created a new universe for Com.x to source from.

Which leads us to Blue Spear, who was one such character. A hero of Tokyo who plays guardian to both his city and the marine life of it's surrounding waters.
As custodian to the characters he created with Forty-Five, Andi Ewington writes - this time with co-writer, Eddie Deighton. While the artwork is stunningly supplied by Cosmo White!


Having set the stage with Forty-Five, this tale starts with a further glimpse in to Blue Spears origin.
The beginning cuts between Yuji Tomikawa reawakening as the titular hero - to present day, as an older Yuji dispenses with some local thugs. Yuji has estranged himself from his brother Akira, who lives and works in Tokyo. From time to time Yuji checks in with him, all be it from a distance (Akira being Yuji's achilles heel).
Loved and revered by his people, Blue Spear has unwittingly caught the attention of the outside world. This would be manageable, were it not for the interest Xodos has in him.
Throughout Forty-Five, Xodos were the organisation most were happy to have little to no affiliation with. They are the government-like body invested in those with the Super-S gene for reasons of global power and influence.
Three agents under the Xodos guise travel to Tokyo with the purpose of finding Blue Spear and taking from him the source of his power - namely that of his spear.

Blue Spear is effectively an action story, featuring a spiritual yet distant hero trapped between worlds. Essentially Yuji is forever changed, fully embracing the role of Blue Spear, yet part of him clings to his lost humanity. He is a fighter and a lover with boundless compassion for that of his people - particularly his brother.
The design and over-all approach to Forty-Five was closer to that of a magazine than a comic, so it's nice to see Ewington's world explode in to a full-blown sequential tale here. This forty-page one-shot is nicely written by Ewington and Deighton - but it's Cosmo White's artwork that makes the book shine (quite literally)! Not content with just pencilling and inking, White also colours his own work. He's a good fit for this book - a great fit for bringing the neon-lit world of Tokyo to life!

Cosmo White heralds from Brighton in the UK - a town I was never very far from growing up. Just after the inception of Com.x comics in 2000, a small-press publishers in Brighton emerged, named Underfire comics (Colin J. Dinnie, publisher).
White was an integral cog in the machine at Underfire, contributing covers and interior work to their anthology series, Rapid Fire. His crowning achievement at that time was Operation Black Jet -  a three issue mini-series he wrote and illustrated (issue #2 eludes me to this day)!
In 2005 Underfire relaunched the renowned 2000AD fanzine, Zarjaz - issue #1 came with an impressive Dredd cover by White (see below)!


Intermittently, White continued to pursue a career in illustration. Before long he was working for Titan publishing, on such revered titles as Transformers!

Having collected a lot of his early work, it's been great to see White emerge as a fully-fledged professional. As a comic-book creator myself, it's inspiring to see contemporaries such as White rewarded for their efforts and perseverance.
At this point I'd like to point you in the direction of ifanboy.com and the following link: http://ifanboy.com/articles/ifanboy-upstarts-cosmo-white/ Here you'll find some of White's Transformers work - and lots more besides!

Over-all, Blue Spear is a very fine package. I believe there are plans a-foot to produce similar books, featuring a selection of other characters from the Forty-Five 'verse. I would certainly welcome this - and am hopeful for a Blue Spear follow-up!

I wait in anticipation for White's next project -  and will continue to keep a watchful eye on future Com.x publications (www.comxcomics.com). Any comic-book fan would do well to do the same!



Com.x logo courtesy: www.hollywoodreporter.com
Forty-Five image courtesy: www.comicbookresources.com
Zarjaz #1 cover courtesy: www.zarjaz.blogspot.com

Friday, 14 September 2012

Your Sister's Sister


Upon watching Your Sister's Sister, I falsely mistook director Lynn Shelton for Lynne Ramsay. Unfortunately, I had another turgid cinematic experience with this film - courtesy of a very dim projector bulb. This made any scenes shot at night incredibly hard to make out. No disrespect to Ramsay - visually speaking, one could be forgiven for thinking the mood and tone of Morvern Callar had spilled over in to this film. Ramsay of course has the good sense to light her films correctly, despite her subject matter!
I have it on good authority that what I saw at the theatre was not what was intended, so until I revisit this film on DVD, I'll assume the same!

So to clarify, Your Sister's Sister is the new film by Lynn Shelton! It stars Emily Blunt, Mark Duplass and Rosemarie DeWitt. 
Blunt and DeWitt play half-sister's, Iris and Hannah. Duplass plays, Jack - Iris' best friend and brother to Tom (who Iris dated for a time).
Jack is emotionally distraught over the passing of his brother a year ago. After an anniversary party to mark Toms passing, Iris convinces Jack to take some time out for himself - and offers her fathers empty cottage as refuge.
Jack takes Iris up on her offer, but to his surprise finds the cottage occupied. Hannah is there when Jack arrives, taking solace herself, after the break-down of a lengthy relationship.
We're given the impression that Jack and Hannah know one another, but perhaps not well. They soon rectify that fact however, with a long night sharing stories and drinking tequila. 
The inevitable happens of course and the two end up in bed together. When they wake the next morning, they discover Iris pulling in to the driveway - formerly snowed-under with work, it would seem she's managed to free-up some time to accompany her friend.
Jack is inclined to keep the events of the previous night a secret from Iris - and ultimately convinces Hannah to do the same. 
This would be easy enough, were it not for the groups conflicting agendas - and their love and respect for one another.

Apparently improvised for the most part, Your Sister's Sister is a comedy/drama about three people bound tightly together through blood and circumstance.
The three principle actors are superb and thoroughly engaging. Each character is at a particularly vulnerable point in their lives and their human frailties are subtly exposed, with each passing scene.

Along with his own brother Jay, Mark Duplass is a noteworthy director (Cyrus, Jeff who lives at home). This is the first film where I've seen him in front of the camera and he's a lot of fun - garnering the biggest laughs! 
Rosemary DeWitt is gorgeous and the chemistry between her and Blunt is indicative of two loving siblings who've grown up together.

As far as the american independent scene is concerned, Lynn Shelton and the Duplass brothers would undoubtedly be on the minds of many. They make similarly human dramas with a healthy dose of comedy. I doubt they would consider themselves competitors - rather contemporaries. With Your Sister's Sister (and Humpday before it), Duplass and Shelton have shown that collectively, they are quite a formidable force.

Interestingly, the themes of Your Sister's Sister mirror the above to some degree - with a suggestion to all who're independent (but wish for more). Ask for help, go looking for love - and more importantly, seize them both, when they're offered you!

4/5

Poster image courtesy: www.joblo.com

Thursday, 6 September 2012

The Expendables 2


With the first Expendables movie, Stallone made an entertaining, visceral action film - influenced by the movies both Stallone and his co-stars made popular throughout the 80's and 90's.
In my opinion, The Expendables represented the last in Stallone's trilogy of re-emergence, beginning with Rocky Balboa and Rambo. These three films (all written and directed by Stallone) reaffirmed his status as a major talent.

For The Expendables sequel, directing duties have fallen to Simon West, director of Con Air - an action extravaganza with another notable ensemble.
For me Con Air represented 90's excess in all it's explosive glory! Hot on the heels of The Rock, Con Air aimed to replicate that films earlier success (and may well have surpassed it in box office receipts), but failed to deliver an engaging story.

With the first Expendables movie, Stallone went some way to achieving the impossible - and created memorable characters, despite his larger than life cast. The most obvious example being Dolph Lundgren's, Gunner Jensen. Gunner went on a noteworthy journey from good to bad and back again (even cheating death along the way)! Gunner's arc represented the darker side of life as a mercenary - resulting in Lundgren's best ever performance!
Unfortunately Gunner is given less to do in the sequel. In fact, all are given less screen time - undoubtedly due to it's expanded cast of characters.

Character traits have spilled over from the first film - the signature fighting style of each principle character remains intact. These traits aren't really utilised beyond the opening skirmish however - with many an automatic weapon instead taking precedence.
When we do get a close-quarters/beat-em-up scene, it's shot mostly in darkness - West opting instead for silhouettes and a lot of smoke (in an effort to make things more stylish perhaps)?!
Stallone's previous showcase may have been blunt (and brutal), but at least you could see what was going on!
The Expendables 2 relies heavily on it's cast, but fails to deliver an engaging (or even cohesive) story. Character development is replaced by a barrage of one-liners, while audiences are left to figure out where certain characters have disappeared off to?!

Despite my disappointment, there is fun to be had. The cast are very watchable - with the film coasting along on their presence alone.
I've got a lot of time for Stallone and fans will feel his influence in an otherwise cringe-worthy script (he takes a co-writing credit here).
A third film is apparently being developed with Nicholas Gage and Wesley Snipes as possible additions to the series. Here's hoping Stallone returns to take charge of his platoon of Expendables - both in front of the camera and behind it!

3/5

Poster image courtesy: www.traileraddict.com

Wednesday, 5 September 2012

Speedtrap and Fireside Tales!


Thought I'd give you kids a treat and post a single panel from my forth-coming Speedtrap strip, which I recently completed for new FEC anthology, Fireside Tales.
Speedtrap is written by Rik Hoskin with artwork by yours truly. We've gone for a cinematic approach this time, utilising many a widescreen panel. I thoroughly enjoyed working on it and can't wait to see it in all it's printed glory!
Fireside Tales should be available to the general public by the end of September. I will post again with more details, as and when I receive them - will make sure to post another couple of panels for your viewing pleasure also!

Be sure to check out the FEC website (www.feccomics.com), as they will undoubtedly be posting further information regarding this book. Their other books are well worth a look also!

Friday, 31 August 2012

The Bourne Legacy


With the success of the Bourne trilogy behind them, it was inevitable that talk would turn to a forth entry to the series - be it sequel, prequel or remake. Thankfully writer/director Tony Gilroy (writer of the previous three Bourne movies) opted for something different. A sequel of sorts, The Bourne legacy does exactly as it's title suggests - and honors that which came before.
It would've been a mistake to ignore the previous trilogy. In an intelligent move, Gilroy has chosen to dive back in to the world of TREADSTONE/BLACK BRIAR et al and show the consequences of Jason Bournes actions from Identity and Supremacy.
As he did with The Bourne Ultimatum, Gilroy again shows how quickly things can move - with events in Legacy running parallel to that of Ultimatum. Both films have a palpable immediateness to them, with time always a factor for their protagonists.

Legacy focuses on a different agent and a different programme - all be it, still within the halls of American Intelligence. Jeremy Renner plays Aaron Cross, an agent of OUTCAST - a development programme looking to breed super-soldiers for the United States.
Cross is suitably athletic, intelligent and has a grounded yet worldly quality about him - not unlike Bourne. Cross is not without his memory though and consequently the audience is taken on a different journey this time.
From the opening scene we know that Cross is on medication. As soon as he is targeted for extermination, gaining access to his 'CHEMS' proves problematic. Cross finds help in the form of Dr. Marta Shearing (Rachel Weisz) - a developer and student of this new science, not to mention a target herself.
Coming off these particular drugs cold turkey is an unpleasant and dangerous exercise - which leads Cross and Shearing to locate the manufacturing house and keep Cross in the lifestyle to which he's become accustomed.

Renner and Weisz are great together - and for my money, are always very watchable. Along with new-comer Edward Norton, they are supported by many a familiar face - peppered throughout proceedings. Scott Glenn, Albert Finney, David Strathairn and Joan Allen all make appearances - cementing their status as integral cogs in the Bourne machine.

I think this is a great way to approach a sequel. The Bourne Legacy is it's own animal, but feels a part of something larger.
Like Bond before it, I believe the Bourne films could run and run - yet having this linear connection throughout sets it apart and allows the audience to invest in a series of films, rather than just one at a time. In order to successfully do this, it's important that key-players return - from creators to cast and crew.
Having already established himself as a director of note with Michael Clayton, Gilroy again proves he can write and stage dialogue and character-driven moments with ease. With The Bourne Legacy he proves he's no slouch in the action department either.
From time to time Gilroy and his team were nudging the curb of believability for me, but over-all they did succeeded in making the action inventive and visceral. Here's hoping they don't jump the curb and send the franchise flying with any possible follow-up!

Jason Bourne was not forgotten with The Bourne Legacy - and nor should current successor Aaron Cross. Those leaving the theatre with a smile will undoubtedly be thinking, 'TEAM-UP'!

4/5

Poster image courtesy: www.shortlist.com

Saturday, 25 August 2012

The Last Boy 'Scott'!

I was shocked and saddened to hear that director Tony Scott had died last weekend. As a tribute to a very talented individual (and inspiration to many), I wanted to take a look at three of my favourite Tony Scott films - from what was a prolific and illustrious career.


Being a self-professed movie fanatic, I tend to revisit movies many times over. In most cases and particularly with more adult fair, there's the opportunity see a movie a fresh (and not as you may have remembered it growing up).
I revisited the Beverly Hills Cop trilogy not long ago. I hadn't seen the third entry (disappointing) and was keen to revisit the first two again.
Tony Scott's sequel is by far the best of the series. One must give props to the original for introducing us to Axel Foley and co - and the film does boast some classic scenes. As an action film however, it's comparatively geriatric!
Having crafted one of the best adrenaline-fuelled classics with Top Gun, Scott injected the series with much needed gusto. Scott was known for his expertise with pacing and generating tension and this is clearly felt.


Interestingly, Scott was somewhat intimidated by Eddie Murphy and the prospect of making a comedy. Coincidentally, the comedy elements serve to keep the tension taught - something Scott would go on to master with the two other films on my list.
Scott's signature visual style is evident, making the movie undeniably his. Too often, slow motion, lens filters and a bombastic editing style are used as a stylistic quick fix. Scott used these techniques to service his movies - putting the emphasis on story and creating mood for his characters to pass through.
The result is a fresh and vibrant action comedy - putting current examples of the genre to shame!

4/5


Literally a day or two before I heard the news of Scott's passing I was quoting the, 'Your wife's so fat...' lines from this classic!
Admittedly it's Shane Blacks script that elevates this particular film, but as Scott would go on to prove time and again, he was the ring-leader that repeatedly gave life to that which was on the page.
The Last Boy Scout was another action-comedy which united Bruce Willis with Damon Wayans as an ex-secret service agent, turned private detective and an ex-football player, respectively. Both wondering where it all went wrong in life, the pair unite to avenge fallen friends and lovers - finding redemption for themselves along the way.


The script was smart and hilarious - and the action came thick and fast! All of Scott's aforementioned techniques were utilised. Again, one needn't see the credits to know who was directing!
Interestingly, both this and the final movie on my list paired Scott with two of the best screenwriters in the business - certainly the two most steeped in popular culture and filmic lore.
Ultimately this made Scott one of the great collaborators. He would go on to help many a young film-maker put their projects out in to the world - with producing partner and brother, Ridley Scott.
The Last Boy Scout stands as a benchmark for action-comedies. If you're one of the few who haven't seen it yet, I must implore you to seek it out. It's endlessly entertaining - and then some!

5/5


True Romance is my favourite Tony Scott film - it's a classic which would certainly be in my top 15!
From beginning to end it's whip-smart, entertaining and creative - and never once veers from it's simple plot. 
Christian Slater and Patricia Arquette (never better) fall instantaneously in love, after one night together. From there, they seek to better their lot in order to remain together forever.
Their get-rich-quick scheme sees them stumble upon a suitcase full of cocaine, which they plan to sell in order to live out their collective dream.
However, the owner of the drugs and his boss (plus a number of other affiliates) have other plans - and intercept the lovers on their quest.
Slater and Arquette carry the film incredibly well - especially considering their support. The film boasts a who's-who of magnificent supporting talent including; Christopher Walken, Gary Oldman and Dennis Hopper.


As with The Last Boy Scout, Scott had another terrific script to work from, this time by Quentin Tarantino. Shane Black may have the edge on wit, but there's no denying Tarantino's superior knowledge of film traits and popular culture.
The scene which stands out for me (and one which has been heralded time and again as a classic) is the interrogation scene between Christopher Walken and Dennis Hopper. This scene is so compelling, one could be forgiven for thinking they're actually in the movie - hiding in that caravan somewhere! The dialogue is great, the actors, pitch-perfect and the mood, chilling. 
It's been said that Walken and Hopper bought more to the scene than what was on the page, finding themselves improvising throughout rehearsal - and bringing more maniacal laughter to the scene. Again, Scott shows what a great collaborator he was here, allowing two master craftsmen to do their thing, immersed in a world he so lovingly created.


5/5

Tony Scott was involved in several projects at the time of his death, with a sequel to Top Gun a likely prospect - which would've been fun! 
There was talk of Scott bringing Nemesis to the screen (the Mark Millar comic, where the villain takes centre stage). This was an obvious pairing - and a project I was hoping would come to fruition. 
Last I heard, directing chores had fallen to Joe Carnahan. Interestingly Scott was producer on Carnahan's last picture, The Grey. 
Whether the ball stays in Carnahan's court is uncertain, however as an obvious successor to Scott (a director of action with his own signature style), he would certainly be at the top of my list.

I could go on and talk about numerous other films Scott directed (Crimson Tide and Man on Fire stand out). Instead I'm going to pop down to my local video shop and sit and enjoy the hell out of his back catalogue!


Illustrated images courtesy: www.sketchesnatched.blogspot.com.au
It's not clear who this guy or girl is, but do check out the site for more of the same - incredible images (yes, I wish I'd done them)!